Philip Speakman


philipspeakman@hotmail.com

@philipspeakman
based in London


It May Start Out as a Game...,

journal article, 2025

The Road That Eats Thoughts

, live role play game, 1 hour, 2025

Reality Break

, audio for radio, 16 minutes, 2024

Katabasing

, XR performance, 20 minutes, 2024

A Self-Induced Hallucination

, workshop, 2024

Chapel Perilous

, moving image, 8 minutes, 2023

The Forked Path

, moving image, 10 minutes, 2023

After Cottingley

, engraved mirror, 2023

The Fauna of Mirrors

, sculptural moving image, 2 minutes, 2022

Transforming Through the Screen...

, critical writing, 2022

No Flaming House

, collaborative moving image, 13 minutes, 2021

The Err

, outdoor sculpture, 2021

Tell

, story telling sessions, 2018-2019


CV





No Flaming House


collaborative moving image
12:25
2021

Developed through workshops with local teenagers, No Flaming House, employs Lakeland philosopher R G Collingwood’s idea of ‘historical imagination' to reconstruct the events around a rumoured plan to burn down a manor house in the English Lake District in the 1990’s. 

Employing documentary methods to mine what truths a society expresses in it's rumours, No Flaming House was devised, filmed and performed by local young people through workshops with assistance from Jess Heritage as part of a young persons summer film school at Grizedale Art’s The Farmers Arms.

The film explores themes of national heritage and cultural identity, youth rebellion, rumour and romanticism, and filmmaking’s capacity as a tool for investigations at the boundary of the historical and the romantic imaginary. The work was filmed on location at Allan Bank, a property now managed by the National Trust which was once home to Romantic poets such as William Wordsworth and Samuel Taylor Coleridge, before becoming a film set for Ken Russell and a hippy commune in the 70’s, histories the film wilfully entwines itself within in.

Made by and featuring; Bella Yoeman, Billy Kemp, Joseph Barnes, Francis Morgan, Iris Morgan, Rudy Morgan, through workshops run with Jess Heritage

Title art by Billy Kemp

​Filmed at The Farmers Arms, Lowick Green and The National Trust’s Allan Bank, Grasmere

With thanks and support from Emma Sumner, Adam Sutherland, Harvey Wilkinson, The National Trust, Film & Video Unit, Central Saint Martins and Jo Evans & Chris Speakman.